Monthly Archives: July 2009

Open Studios and Food Market

I will be spending the next month grueling over the computer organizing two projects I’ve dreamed of putting together the last few months. Both takes places in Greenpoint, a neighborhood I am becoming more and more embedded in.

First is

Greenpoint Open Studios to happen Sept 18-20 in collaboration of Gnpt artists, galleries, local businesses and everyone else in between.

Second is

Greenpoint Food Market to launch Sept 12 in collaboration with local artisnal food makers selling their goods inside a church every Saturday alongside live music and art installed.

Spread the word.

O, and I’ve been hired to write for Greenpoint Gazette. Look out for articles on bees and ice cream.

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I Believe You, Liar

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My friend Lucas is launching a photo art book titled “I Believe You, Liar” in LA this weekend. The book is self-published and curated in such a way to completely trip you out. Above image is an example. I’ll hopefully get to write more about Lucas’ work in the future. Till then, here’s a description and if you’re out in LA check out the party at Eighth Veil.

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Dear Ms. Patty Pacifica or Current Resident,

I like to think of cooing. it is among the warmer thoughts. especially nice in French which seems a warmer language except when it’s not. Isn’t it funny how cold warm things used badly become. I would accept your TV if you had it, but seem truly and earnestly (to my own embarrassment) more interested in truth than fact and all that uninterrupted information would bring us back to the palimpsest (a screen) and a possible becoming tedious because the volume controls of strangers – even friends and lovers – are always different from the ones internal. It’s probably better if I listen to your speakers instead of getting greedy for headphones, or serialized programming.

As to. . . all of this is more lonely than sad but I am starting to relish this energy of impossible languages and unbridgeable gaps. The failures are all we have and I am no nihilist! I BELIEVE YOU, LIAR!! Light, sad? ‘luc’ is particle and wave both at the same time. I am torn. can you explain?

Thank you kindly,

Lucas Blalock

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Free Bootcamp for Art

My dear friend Nicole teaches boot camp at Prospect Park a few days a week and Bootcamp Republic is starting an artist program where you get a free 3 week course in exchange for art influenced by or related to the experience. Here are more details:

Artists get a full 3-week cycle (or 6 sessions) free of charge in exchange for a work of art (any size or medium) that reflects your experience in the program or broader interpretation of fitness, exercise, sports, etc. Works will be uploaded to an online gallery and the actual piece will become part of the Bootcamp Republic Collection. The company has thousands of clients and is growing rapidly–that means great exposure for artists that participate.

If I were an artist I’d jump on this opportunity, especially as I’ve got about 10 pounds of fat that needs losing and a body craving to be fit and healthy. But alas I am artistically disabled. Maybe this is for you.

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Food Party

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So I was reading this article on artcat one day and discovered this woman named Thu Tran. She’s in my neighborhood and has successfully ingeniously merged art and food. She has a crazy show recently picked up by IFC called Food Party and it’s a trippy surrealistic encounter between food puppets and Thu herself. I am officially in love with her and her show and the fact that she’s close by brings all sorts of fantasies in my head in potential collaborations. I would love more than anything to be part of the show dressed up as a jar of nutella. What could be more fitting?

The Food Party website is in blog format and she and other contributors write about their encounters with food in the surrounding area. It’s chill, it’s down to earth, it’s totally me. She also has her own website displaying her artwork which includes puppets, installations, drawings, and prints all incorporating ideas of food in one way or another. I’m in love.

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Tadashi Moriyama

Today’s special at Beautiful/Decay: Tadashi Moriyama

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I found Tadashi Moriyama’s work during Bushwick Open Studios this past June and fell in love with the intricacy and obsessive mark making process that is evident in each ink and gouache work. Each painting is rife with apocalyptic imagery rendered in countless repetitions of a few motifs including waffle-like gridded squares forming architectural structures and tubular wobbly connectors slithering in and out of buildings and bodily orifices.

Read the rest here.

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Plates and Records

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Friends and I have started a supperclub called Plates and Records. It got an article on Metro this morning. Radical.

Our first dinner was Indian, made in my house, served in my backyard. It was glorious.

Join us on Facebook. Email us at platesandrecords@gmail for upcoming dates, to be added to mailing list, and if you’d like to host a supperclub dinner.

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Elsewhere

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- A reflection on the newly opened Transmitter Park in Greenpoint, Brooklyn.

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- Today’s special at Beautiful Decay: India Street Mural Project artist Chris Soria.

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Handsome Furs and Bowerbirds

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I’ve been itching to make music lately and I’ve created a criteria of sorts on what it would sound like. First and foremost it would make you simultaneously dance and cry. Beats would be basic and bass heavy and would pump thump that heart for you. You would uncontrollably tap you feet, sway them hips, bounce your head and flair those arms. The vocals are earnest, strong, passionate, and tearsome like Nina Simone, Karen Oh, Antony and the Johnsons and Edith Piaf all rolled in one. Chords would be mostly in minor, dark and creepy but still upbeat and there would be nothing wrong with repeating a few chords over and over throughout a song that lasts 23 minutes. Lyrics would be at random, disattached from personal recollection and worldly references. It would take inspiration from Surrealists automatic writing, taking excerpts from Impressions of Africa. It would be described as trancebeatpumprocketherealindiefreak. I’d play ukulele, drums, flute, bass, guitar, and piano. Others would play every other instrument they can reach out to. It would be glorious.

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A few days ago I watched Handsome Furs perform at Bowery Ballroom and wondered how my criteria matched up to theirs. Their oeuvre is tragic with a subdued frantic energy, stirring the uncontrollable urge to shake and detonate that ball of fiery sensation but instead taking a nose dive underwater leaving you with a muffled but nonetheless an outburst of explosive body-rumbling. I never listen to lyrics and never really intend to, but Dan’s voice is hyper-earnest, as if warning you, calling you, yelping and pleading with confessional prophesies. The electronic beats are clean and intentional, spastic but carefully compositioned, melodic in its own harmonizing conversation, popping and making me want to jump on my old white bmx, headphones glued to ear pumping and pedaling down Broadway screaming and zooming. But again, there’s a muffled subtlety to this duo’s music that keeps me from going berserk in a prancing euphoria.

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I envy the couple, performing together in their cheesy nervousness, Alexei kept pumping her heart with crossed and open hands granting us many thanks for giving them the opportunity to be in NY. She was definitely krunk on something, maybe not, maybe it was the act of performing that got her so frenzied with head banging, pulling hair and hyperventilating, falling to the ground and smiling the way only a person under the influence would smile. But I loved it. I loved when their heads met, cheering each other to keep fucking their instruments and releasing all over our ears and bodies. I love their dirty grunginess, as if they haven’t slept in 2 weeks and have been sustaining a diet of beer and cigarettes. They were high, high strung, strung out. I love the full sound, the full voice, the full experience that is created only by 2 people. I’m actually falling more in love with them as I write about the performance. I’ve never really written about music before but I’m realizing now when it’s music you really like and connect to, it’s closer and more personal than any experience I’ve had with art. I’ll have to think about this feeling some more.

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When I make music, I would list Handsome Furs as an influence and also add Bowerbirds to that list. Either band sound nothing like each other, they are probably at opposite ends of a spectrum but I am equally in love with both. True the Bowerbirds show lacked dazzle and pop, I merely swayed and nothing more but I was also more keen and cleansed by the crisp and dexterous string picking of Phil. The sadness and earnest tone of his voice combined with an instrument as melancholic as the accordion makes for a moody and nostalgic vibe that is perfect to listen to in the night to soothe and mellow out to.

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Their characteristic minimalist use of marching band bass drums creates enough beat to keep you at attention. Phil and Beth are also a couple but they’re energy is not as frenzied or intense as Handsome Furs. Rather it’s more hipster indie freak folk shy geeky Americana. The drummer seems delicate and I was impressed seeing him pose with the stance of a trained musician whilst weening his violin. He’s got a happy and self-conscious way of singing that kind of makes you swoon. Bowerbirds touches me the way Bon Iver and all those other good indie folks do: with a sly and smooth nonchalance catering to a hint of disturbance.

See more pictures here and below.

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Zander Blom

Today’s Beautiful/Decay Special is:

Zander Blom

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The potential lack of conceptual elements and an escapist mode of abstraction ignites the tension between physical space and non-functional form.

Read more here.

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Passed Hor d’Oeuvres

I recently had the opportunity to cater a cocktail party. I initially turned down the offer out of fear and doubt and offered the gig to a private chef friend. Then I thought, why the hell not, it’s an opportunity and if I don’t take the chance now, then when? I was in for a treat. There were 35-40 guests expected and I charged $20/person for 5 passed hor d’oeuvres. Menu planning came pretty easily, I scrounged through tastespotting and found most of the recipes which were a good mixture of heavy, light, summery, and palate pleasing. An entire evening was devoted to grocery shopping at Trader Joe’s and Whole Foods, which is very difficult to do when you don’t have a car and you’re little woman lugging bagfuls of food struggling to get through the subway turnstyle. My dear friend Andrzej came shopping with me and made everything easier, funnier and manageable.

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I started preparing the evening before and for the following 24 hours I gruelingly chopped, grated, rolled, spread, toasted, grilled, and toasted. Once 5 am rolled around I was overwhelmed and had a nervous breakdown, realizing there was no way I could do this alone. Preparing 100 pieces of each item was too much in such little time, not to mention they couldn’t be done too long beforehand before going stale or tasteless. So at 7 I sent dear Andrzej a message and he missed work and hauled his way over to help for the rest of the day. Once he entered the vibe immediately changed and once again I was able to finish off the job. Time and productivity flow was at a high and we made it to the gig in time and we were in perfect tandem with preparing and serving. I couldn’t have asked for more. Allow me to get into details:

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The first dish served was spinach hummus crostini. The recipe was found on 101 cookbooks. I wanted this to be the first thing I made because it would still be good the next day but of course I forgot to soak the beans overnight so it waited till later. The end product was a bit dry and I ended squeezing one too many lemons, so it was a very tart spinach hummus. It was popular with the guests at first and was a great way to start the party. Of course I ended with a tub still left over and multiple trays of crostini’s remaining but friends finished that up with the quickness.

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The second dish passed were the roasted pepper wrapped mozzarella bites. The pictures I find on recipes always look more perfect than mine, completely overestimating my presentation and arrangement skills. This plate was not salty enough and a bit too mushy. During roasting time the juices slipped out of the pepper probably causing the extra softness but they were easy enough to prepare, just sliver, wrap, and stick. But that process times 100 is what gets a bit grueling.

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The “main” course for the evening was asparagus and proscuitto bruschetta. It involved cooking with the most ingredients served on soft and garlicy ciabatta bread. I’m not a big fan of seared prosciutto, I much prefer it uncooked with basil and mozza, but this was also a popular plate. I also am questioning cooking asparagus and tomato together. I feel the acidic juices from the tomatoes turned the asparagus bitter, losing its original flavor. I also didn’t grill the veggies as the recipe directed which might have affected the juice flowing from tomato to asparagus. It was a very pretty dish and easy to prepare on site.

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Here’s the dish that caused my nervous breakdown: Salmon canapes. It’s a simple enough feat: make cream cheese mixture and dollop on a strip of smoked salmon and roll, topped with roe, or in my case dill garnish (roe was too expensive). But untrained imperfectionist that I am I couldn’t get the slices and portions even and what was supposed to be rolls that were of same size and amount turned out looking like above: uneven, slanted, and sloppy. It was also 5 am when I was rolling these and my head was nodding off despite the red bulls and iced coffees and I freaked out and was very close to giving up, doubting my skills as a caterer and swearing to never do this ever again. I ran out the house, eyes frantic and searching and came back with the nastiest cup of iced coffee from a polish bakery. I laid down on my soft and konked out for 15 minutes and woke up trying to breathe out the desperation and start over. I let go of the fact that it wouldn’ t look perfect. Andrzej finished off the pile and we used it as is and people seemed to enjoy it. I will never be making this ever again though, that’s for sure.

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The last dish served before starting back at one were summer rolls, whose refreshing and palate cleansing elements brightened up the crowd and the kitchen. This was a difficult recipe to get right becuase the delicate paper ripped if prepared to early leaving me with the thought of preparing on site when there would be a thousand other things to prepare. We tried to roll a few before hand and learned a few hours later it tore and gutted out the ingredients. We watched this video and incorporated items from this recipe into the first and came up with these. Andrzej came up with the brilliant idea to replace dipping sauce and the wasteful use of two papers per roll and directly mixed peanut butter and siracha sauce into the noodles. Brilliant. This not only moistened the dried up noodles, it created an unexpected punch of flavor and spice that knocked you off guard. The bean sprouts created the juicy crunch and the mint and basil an extra layer of herbiness. This is such a successful recipe, we’re planning a summer roll party.

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The evening was a big success, everything rolled smoothly and made me forget my vow never to cater ever again. I get deep gratification in making people eat and enjoy my food and I honestly wouldn’t be surprised if I tortured myself again soon.

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